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Speedball Baby's carefully contrived collaborative third release also features Boss Hog's Cristina Martinez singing backup on the Charlie Feathers-ish send-up "The Diddler," which is obviously influenced by beat poet William S. Other contributors include the often-suited avant-garde James Chance of James Chance & the Contortions playing saxophone and the under-utilized Mick Collins singing "Cash Cow" -- he was also a guest on their 2000 record, Uptight.
The who's who lineup of famed New York City and Detroit-based musicians helps The Blackout be elegant, powerful, and engaging throughout, with the end result treading familiar territory, but there are enough surprises to keep things interesting.