The design is observable as complexes of biotic and abiotic self-organizing entities that relate at various levels and participate as components within each other.
Soil organizational design is defined not by the environment but by the soil itself.
Sometimes we have chances to change mistaken choices we’ve made. But all along the way, we’re guessing and hoping, no matter how much thinking and reasoning we bring to bear on our choices.
I thought about this Saturday because of a woman I met and talked with.
The latest update to Google Drive’s collaboration tools now means you can comment on files created in Microsoft Office just as you would in Google Docs, Sheets, and Slides—without opening a third-party app.
Life doesn’t come with convenient signposts letting us know which is the path to happiness and which is the path to misery, so we’re stuck taking blind gambles. And we frequently end up with regrets that we carry to our graves.
The various stages of copulation may also be described as inducing euphoria in some people.
Furthermore, soils are not static, but are constantly undergoing biochemical and physical changes according to their specific organizational design.
The effects of these perturbations, however, do remain evident in the soil as detectable structural changes and are demarcated as event horizons or soil packages.
The selected case studies highlight the importance of distinguishing and sequencing the perturbational history of soil.
Exercise is known to affect dopamine signaling in the nucleus accumbens, producing euphoria as a result, through increased biosynthesis of three particular neurochemicals: anandamide (an endocannabinoid), Pleasurable emotionally arousing music strongly increases dopamine neurotransmission in the dopaminergic pathways that project to the striatum (i.e., the mesolimbic pathway and nigrostriatal pathway).
Approximately 5% of the population experiences a phenomenon termed "musical anhedonia", in which individuals do not experience pleasure from listening to emotionally arousing music despite having the ability to perceive the intended emotion that is conveyed in passages of music.